Requiem for EULOGY
I watched a perfectly wretched movie called
Eulogy last night. You’d think that with a cast that includes Ray Romano, Glenn Headly, Debra Winger, Hank Azaria and a whole bunch of other talented people, a movie wouldn’t blow chunks.
But you’d be wrong. This stinker is so chunky, you might want to watch it with a fork. Not even my fondness for Debra Winger (who stole my heart in
Forget Paris) could make me enjoy this movie.
Rip Torn is a familial patriarch whose death brings together what is perhaps one of the most dysfunctional families ever filmed. There’s not a balanced person among them, and each character has all the depth of a Hanna-Barbera cartoon. (The ultra cool Jonny Quest notwithstanding.)
I believe the producers were going for something akin to The Royal Tenenbaums, but instead wound up with some tired characters we've seen many times before:
Oldest son who feels that Dad never loved him? Check. (Ray Romano, doing his schtick. He's really funny, but maybe he should add some stuff to his routine.)
Middle daughter who is dutiful and bitter? Yup. (Debra Winger, who normally approaches goddesshood for me, but here is just plain sad.)
Second son who appeared to be the favorite but was really stuck in a pattern of trying to please someone who was never around? You bet. (Hank Azaria, how did they blackmail you into this movie?)
Youngest daughter who rebels by becoming a lesbian? Uh huh. (Kelly Preston, who looked as if she were sleepwalking through this film.)
Sultry lesbian girlfriend? Ditto. (Famke Janssen, slumming. I keep waiting for this actor to get a role worthy of her. Perhaps I give her more credit than she deserves because I think she's cute.)
Distraught mother who dismisses the father’s faults by saying “He made me laugh”? Gotcha. (Piper Laurie had the best lines in this show, if you ask me.)
Hot post-adolescent (but not quite adult) granddaughter struggling to find meaning? Oh yeah. (Zooey Deschanel, who can be mesmerizing and really really really tries hard to make this role work.)
Wacky neighbor who knows a ‘startling’ family secret? Mmmm-hmmm. (Glenn Headley, who is most of the time quite remarkable, is wasted here.)
Finally, the sensitive boyfriend who knows exactly what to say? Sure. (The immensely forgettable Jesse Bradford.)
We’ve seen all of these people before. We’ve seen them in better movies, with better scripts, and it was hard to care about any of these people. The only character that viewers come to care about is the granddaughter, because she’s as close to ‘normal’ as this movie lets the viewer get. She's the most like us, so we are supposed to care. It's an 'okay' performance, but Winona Rider did this 20 years ago in
Mermaids.
The plot, such as it is, lurches between 'funny' bits of lowbrow comedy that is so pedestrian and predictable that I could check it off as we went: Everyone gets a grand entrance. Everyone gets a moment to display an idiosyncrasy. Everyone gets to quip about the dead father. Contrivances abound to escalate the conflict. Things build up to a boiling point and then there’s a release. And without spoiling the movie for anyone, a comedic explosion in which no one is harmed.
Then these disparate character make up with each other, after a fashion.
And that's the end. And there's no need to thank me for watching this awful flick so you don't have to. It's all part of the job.
Posted by michaelsawin
at 2:04 PM CDT
Updated: Tuesday, 17 May 2005 2:14 PM CDT