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Thursday, 29 December 2005
BIG K ONG
Okay, I'll admit it: I've never seen the original version of King Kong in its entirety. It's one of those movies that I've seen bits and pieces of several times, as it has appeared on TV over the years.

But I knew the story, and I knew the ending, so I didn't really care too much.

Most Patient Wife and I went to see Peter Jackson's version of the movie, and let me tell you up front that it's everything the critics say it is: stupendous, fantastic, sensational, incredible. If you want the short edition of this review of the movie, you can stop reading here. But there's more.



The movie was pretty good. I really had a lot of fun in certain parts of it, but to tell the truth it dragged in a few areas for me. But I don't think it's all Jackson's fault.

In fact, I blame James Cameron. Because my problems with Kong are the same I had with Titanic. And the Lord of the Rings. And later with the Spider-man movies: it's too big. There's too much in there that has little or nothing to do with the story.

Now, Cameron's Titanic may not be the first extreme movie, but it stands out to me as the the first big excessive epic that took a simple story and decompressed it, making it a bloated, effects-ridden cinematic parasite that lives off the plot of the story.

In the original movie, Kong fights a dinosaur or two. In this movie, that's not enough. We have to see Kong battle so many dinosaurs (in a manner that is reminiscent of professional wrestling) that after a couple of minutes of it, I stopped being impressed and just wished that they would get on with the story already.

He's big. He's strong. He fights with passion to defend the girl. Cool. We get it. Now let's move on.

All of that aside, there is a lot to like about this movie. The CGI of Kong is amazing. He looked big, powerful, vulnerable, happy and sad as the moment allowed. He was triumphant and tragic, just as I knew he would be.

The real treat of this movie, I felt, was the acting. MPW and I were talking about this, and I have to say that I belived all of the human characters of this film.

Ann Darrow as played by Naomi Watts was luminescent. And I'm not just talking about her looks. (Although I have to say that her skimpy costume deserves a Best Supporting nomination, because I swear her breasts were immobile in spite of a whole lot of body movement.)

Jack Black's portrayal of Carl Denham rang true for me, but I wished that he had paid a real price for his folly. It seems to me that he got off rather lightly considering everything he did.

Hayes, the first mate of the ship, was a guy I liked a lot. He was smart, tough, heroic and fun to watch.

There were a lot of fun moments of the film, and some truly scary bits as well. Without giving anything away, keep an eye out for the island people who board the boat; it was incredible.

All in all, I wish the movie was smaller. It felt to me that the reason most of the effects were in Kong merely because we now have the technology to create them.

Maybe it's that I'm a writer, but I really want more focus on story, plot and character -- and less on spectacle.

But go see it. There's enough fun to offset what I think are flaws in the storytelling.

Posted by michaelsawin at 7:05 AM CST
Updated: Thursday, 29 December 2005 9:44 AM CST
Post Comment | View Comments (1) | Permalink

Sunday, 1 January 2006 - 1:57 PM CST

Name: Mike N.
Home Page: http://miraclo.blogspot.com/

As I didn't feel that they skimped on the character development, I can't easily imagine what would have been added that I would have wanted to see in terms of character development. (I'd have taken the first half of TITANIC and cut that down to 20 minutes -- but that's me.) I came to KONG for a spectacle and that's what I was given, but it was much more fully developed than that anyway. I could see some of what was there being scraped away as repetitive, but adding more character development scenes would have been every bit as excessive, unnecessary and selfd-indulgent as the extended, running battle with the multiple T-Rexes (Allosauri? Whatever. The big 'uns.) was.

I wasn't bothered so much by the extended battle scenes, though I, too, did start to glaze during some of them after a while. That we were to believe that even nimble vaudevillian Ann would have survived the tossing around she took was more distracting to me, though it wasn't a deal-breaker. On the other hand, I was honestly irritated - verisimilitude shattered - by the few times when they resorted to those awful "time stands still" moments with the photography. I suppose it's supposed to convey an almost dreamlike quality of being overwhelmed by the moment, but to have smooth photography suddenly be replaced with a series of phased transitions just makes me want to give the filmmaker a failing grade and telling him to leave the cheesy "art" tactic out.

Black's Carl Denham was definitely worth the time, I suspect all of our sympathies with him were meant to vanish quickly after the return to New York. We could see he was a manipulative conniver from the start, but he was an enjoyable one. In the end, Jackson decided to end the film just as the original did. It's left to the audience to imagine whether or not Carl's enough of a survivor to get through this or if the tragic episode with Kong has only ended up delaying his finding himself not only penniless but imprisoned.

I haven't bothered writing anything about the movie on my own blog - I wasn't in much of a writing mood - but now I'm thinking I may as well... a little later today, perhaps.

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